Part 1: Paris with Hilary
The Marseilles-Paris TGV does the whole trip in about 3 hours. From
Madeleine texted me when she and Hilary Capper had arrived home, after a two-hour wait at Roissy. Great to see them both again. My main mission was to be French-speaking guide to Hilary, who wanted to see some of the paintings in Paris, particularly the impressionists, or at least as much as could be seen in the two days available. I also wanted to go to the bank to do things that could only be done in person. Hilary had the dubious pleasure of waiting in an armchair in the very lovely bank building at 2, Place de l’Opéra, before we set off to explore the local streets, intending to go to the Musée d’Orsay.
The Louvre is huge, even with certain sections closed on various days, and you can only do, or take, so much. My preoccupations in the past have been more with antiquities than impressionists and I took as much delight in being shown the details of some of the techniques by Hilary, as she took in actually being there and seeing all these wonderful paintings. So win/win on that one, and thank you, Hilary.
The next part of the evening, the getting-home bit, would have been really easy. A direct line to Nation, Madeleine’s station, mostly raised above street level, so that it would be a sort of sightseeing trip too. But no. First station there’s some problem with the doors. We wait. Nothing. We wait. Nothing. We wait. We are told to get out. We wait. Then I decide to go back to the previous station and take a different line. We do this. We run like mad to actually get on the train, which stops halfway down the station. As it is an RER it will be much quicker than the metro. But no. It dawdles, it goes slowly, it messes around, it chugs along. It reaches a station, starts off again and does the same thing.
There is some problem with the train system tonight. We finally reach Austerlitz and walk to the Gare de Lyon. Will we walk the 20-30 minutes home from here or risk a train? We risk a train. I think it is here that a saxophone player in the Metro Station enlivens our evening. Good on him! Luckily we have a cellphone, so Madeleine is not tearing her hair out. Luckily we ate copiously and well at midday, so our entrails are not shouting for help. Luckily we arrive at Nation without further delay. A very late dinner that night!
We meet Madeleine at the Aussie Pub but it is a bit noisy for our state of mind and there’s a lot to see in the area. We take to the streets, partly to show Hilary the sights, partly in search of a restaurant. Eventually, (in the Marais by now), after being pretty picky about the location, the amount of noise, the menu and the size of the restaurant, we found the perfect restaurant for our needs. In the food line it exceeded our expectations and value for money was excellent. So here’s the plug for it: Etamine Café, 13, rue des Ecouffes, 75004 Paris. Metro: St Paul
www.etamine-cafe.com
www.etamine-cafe.com
Next morning was Hilary’s departure on the Eurostar train for London . We prudently left early for the Gare du Nord. Even from Nation it takes a fair while to get there. Be generous when estimating the time it will take you to travel across Paris to make a connection. You can always have an extra cup of coffee if you’re far too early!
Part 2: Paris after Hilary
Our play was called La soeur du Grec (The Greek’s Sister) and was very well acted. It was a comedy with a twist at the end and a lot of fun. We went walking again afterwards. One of the interesting things we came across was a community garden in a spot that had been wasteland. It is now a park with grass, play equipment and garden areas. The people working there chatted to us. They live in the nearby apartment blocks and have parts of the garden to tend to. The schools also take part. The whole seems to be a very successful community effort.
The following day was Sunday, spent relatively quietly, with Jean-Marc coming to dinner after church and Madeleine, J-M and I later going to see the film Persépolis, the story of a spirited young girl in Iran from before the fall of the Shah until her final departure for France where she now lives. The story first appeared in 4 volumes of black and white bandes dessinées, (which I hesitate to call comics) and this year a screen adaptation, still under her direction, has appeared. It is brilliantly done and tells the story of a whole society from the eyes of a young girl. Not to be missed. For the non-French speakers, not to be missed if it comes out in a dubbed or subtitled version. You need the words. A very powerful film.
And that beautifully wrapped up my visit to Paris on this occasion.
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