7-9 July
If the Official Avignon Festival, known as IN, has a large range of performances to choose from and a booking office, the unofficial festival, known as OFF, has an enormous, totally overwhelming and exciting range of theatre and shows for which you turn up 20 minutes in advance and queue for your tickets. We think we may have been lucky to have been there in the first few days, as word of mouth is the advertising medium and we were in the vanguard if spectators. We hardly queued at all, in a French sense ( do remember that I queued 30 minutes for a cooked chicken at a market in Marseilles . And let us not even envision for a second the post office visits) and our range of shows was amazing, fascinating and not a dud among them. We went to 8 shows in 2 days (and one the night we arrived). Ranging from serious theatre to Le Malade Imaginaire, sort of, done with puppets, Rossini’s L’Italienne à Alger in about an hour an a quarter, a Cabaret of chansons engagées (songs which incite revolt, I guess), and even a French resident Belgian taking off the Belgians.
We were also lucky to have the name of La Trappe, a play directed by Marian Waddington. Marian is Madeleine’s daughter, who was once my pupil, (1979!) and she has been involved in the Avignon festival for quite some time. We both enjoyed the performance very much. What horrified us what that the set has to be put away in about 5 minutes after the play to be ready for the next one. Quite a task.
With the photos I have tried to capture the atmosphere. There are lots of people, loads of restaurants and cafés, music, advertisements or posters everywhere, people approaching you in restaurants and on the street to give you their handout – all very professionally printed.

Avignon is a lovely backdrop for the festival and we did a bit of wandering there. We changed hotels the last night to the Hotel Central, where Julian, Susan, Warwick and I had stayed last time. This had the benefit of being cheaper but is not why we changed. We could have stayed where we were if someone had told someone and the message had been passed on to us. Oh well, this is France . I guess it just wasn’t their job.
Photos at:
http://picasaweb.google.com/101628277989220379025/Avignon
Joëlle, arriving from Antwerp at Avignon TGV railway station and I from Cornillon,via Clelles, Grenoble , and Valence to Avignon Centre station, took roughly the same time to cover the distance and arrived within minutes of each other at the Ibis Hotel, which is barely 100 metres from the station (Centre). We had a lucky break to start with, as Joëlle is involved with theatre in Belgium (teaching drama among other things) and knew one of the people involved in a play, which was why she had decided to make the trip. Xavier met us both before and after his performance and gave us leads for plays (or spectacles) that sounded worthwhile already. This helps, when the programme is almost 300 pages, (800 plays, if I recall correctly), arranged in Venues by the hour.
One play that impressed us both was called Mobylette, which was technically a conversation between a mechanic and his son, a writer for the theatre, as they reassembled a scooter. But it was a meeting of two worlds, a forming of the theatre, as all the conventions of theatre were broken one by one. We sat in a horseshoe, with the stage in the centre but the writer, his actors and even the lighting technician ( a girl) wound their way through the audience, or sat with them or interacted with them, as required. The person acting the writer explained to the father how they could change the rules of theatre (NOT like following the manual and putting piece number A87923 into piece N40698.) The real writer was also able to engage with scene or audience from time to time. It’s hard to put into words but it all worked extremely well. If I was working with adolescents I would certainly want to try this method. The audience ranged from about 5 years old to MUCH older and, I kid you not, EVERYONE was engaged with the play ALL the time. Eyes on the acting, no fidgeting, not coughing, just full attention.
If you had maybe thought of going to the Avignon festival, the OFF is an amazing experience. We thought that the three nights we had were great. Long enough to really get into the swing of it. And yet it was okay the last morning to be moving on. Five stars.